ISSUE #106

Finding common ground in foreign land


Using literature to break down boundaries

One for the books: Abantu’s bookstore and publishing house


Abantu Kid’s Zone: Let the children play


The children’s faces light up when they see characters that look like them, with names that are similar to theirs

The demon that is self-publishing


Selling books from the boot of a car

For the record: archivists abound at Abantu


The Journalist’s dynamic partnership with Abantu Book Festival

Starstruck: Abantu festival first timer


Thando Mgqolozana deserves a standing ovation

Musa’s fun at Abantu’s Kids Zone


I think more children must come to Abantu next year

Abantu Book Festival: nothing short of an introspective space


"Europe is irrelevant to our history"

Saartjie Baartman’s final resting place


Baartman cried out repeatedly to be taken home, and her cries have reverberated through the centuries

The law and dispossession from a black perspective


Born To Kwaito: Reflections on the Kwaito Generation


Setting the kwaito record straight

Abantu Book Festival: “We are also human”


History needs to be revisited

Create, don’t react


The Journalist encourages its writers to find their own voices

Chimamanda on feminism, first ladies and fiction


"My feminism is rooted in my great grandmother, who was headstrong"

Coconuts can’t be trusted with the revolution


Breaking the rainbow at Abantu Book Festival

Book extract: House of Stone


Novuyo Rosa Tshuma's debut novel

House of Stone re-imagines a collective home


“This is my love letter to Zimbabwe; even if it’s biting”

Abantu Food Fest: LesDaChef twists local flavours


Food is one of the greatest elements of culture

From the lioness’ perspective


Abantu Book Festival: a safe space for black people to share their vision

Abantu Book Festival photos of the day


And the book lovers did slay

Meet 2018 Brittle Paper Awards Winners at Abantu Book Festival


Book lovers flock to Soweto


Abantu Book Festival takes center stage

ISSUE #106

The Journalist is back and raring to go

The Journalist is back, for the first time in 2020. Our site was hacked and it took extraordinary efforts to recover all our material and get ready to relaunch.

Our former editor Leila Dougan has moved on after ably steering the ship for at least three years. Leonard Gentle, a veteran writer, researcher and activist has taken over the reins.

We have used the past few months to strengthen our capacity and systems and will unveil our exciting plans for the future in the coming weeks. We will once again have a regular monthly cycle of new stories.

The July edition has a great collection of articles, several focusing on the Covid 19 pandemic and its repercussions. Others are on the arts, heritage and books.

The COVID-19 stories deal with the political and economic context in which the pandemic is sweeping through the world. Black and brown people, mainly members of the working class, are disproportionately affected. One writer argues that the current crisis is a temporary one located within the permanent crisis of neo-liberal capitalism.

There are also a number of stories from networks of “unofficial journalists” giving us information outside the mainstream bubble. In the midst of the gloom, a radio station for youth based at the Red Cross Children’s Hospital has won an award for unpacking COVID-19 for young people. A Basotho reclaimer shares the suffering he endures as a member of a wastepicker collective, while South Africans fail to express solidarity and the Lesotho government has abandoned its own citizens. And a regional network, Benchmarks, tells us how it is training community reporters to speak about their experiences of resisting mining in their communities.

And we sadly report the passing of one of South Africa’s most important historians, Ntongela Masilela, who featured South Africa’s rich intellectual tradition on his website, The New African.

In Kau Kauru, which means conversations, a writer presents a fascinating reflection on parts of his roots in the Konkani region of India. Another writer, a resident of Ladysmith in KZN, wonders why the government still uses colonial names, while revealing the passion and talents of many amazing artists in her hometown, which was originally known as Emnambithi.

There is a strong Arts line up on the rebel poet Linton Kwesi Johnson.

We could not bring out this edition without talking about Master KG’s hit song Jerusalema that together with a captivating dance sequence, is taking the world by storm. The 24-year-old from Limpopo is stunned that his song has traversed continents, racking up over 50 million views in the process. And counting!

The Journalist... Responsible, Relevant & Responsive.

The Journalist is an independent, not-for-profit organisation working with the academic community and a range of credible entities. We are committed to multi-media offerings that delve more deeply into the complex facets of our reality. We don’t just tell you what happened. We help you understand why.

The Journalist was launched with the support of the University of the Free State, the University of Johannesburg, the Southern African Clothing & Textile Workers' Union (SACTWU) and financial contributions from a range of individuals.

Students and media lecturers at the University of Free State and the University of Johannesburg are participants in The Journalist.

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